{"id":55,"date":"2022-09-28T12:28:33","date_gmt":"2022-09-28T03:28:33","guid":{"rendered":"https:\/\/www.muse-house.jp\/en\/?page_id=55"},"modified":"2022-09-28T18:18:01","modified_gmt":"2022-09-28T09:18:01","slug":"%e3%80%8eau%e3%80%8f","status":"publish","type":"page","link":"https:\/\/www.muse-house.jp\/en\/presentation-pieces\/%e3%80%8eau%e3%80%8f\/","title":{"rendered":"\u300eAu\u300f"},"content":{"rendered":"<div class=\"sc_fancy_player_container\"><audio class=\"wp-audio-shortcode\" id=\"audio-55-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/2022\/09\/13-au.mp3?_=1\" \/><a href=\"https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/2022\/09\/13-au.mp3\">https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/2022\/09\/13-au.mp3<\/a><\/audio><\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-329\" src=\"https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/sites\/2\/2022\/09\/au.jpg\" alt=\"\" width=\"709\" height=\"337\" srcset=\"https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/sites\/2\/2022\/09\/au.jpg 709w, https:\/\/www.muse-house.jp\/en\/wp-content\/uploads\/sites\/2\/2022\/09\/au-300x143.jpg 300w\" sizes=\"auto, (max-width: 709px) 100vw, 709px\" \/><\/p>\n<p class=\"f20pt\" style=\"text-align: center;\">&lt; Au &gt; = To Meet<\/p>\n<p class=\"green fl-r2\" style=\"text-align: right;\">&#8212;&#8211;Calligraphy by Fusennin, Picture, Music, and Composition by Ahomaru&#8212;&#8211;<\/p>\n<p>At first, the sutra on Buddha\u2019s deathbed \u201c<span class=\"red\">Yuigyo-kyo<\/span>\u201d says \u201cThe world is all transience. To meet has separating essentially\u201d. After that, there is \u201cThe pain which leave from the dearest person, is the Fate of this world\u201d in the \u201c<span class=\"red\">Hoke-kyo<\/span>\u201d sutra. And, one Chinese poet \u201c<span class=\"red\">Hakkyoi<\/span>\u201d in the \u201cTo\u201d period in China, has recited \u201cMet person stands at the starting point of the separating\u201d in \u201c<span class=\"red\">Hakushi-monjuu<\/span>\u201d.<\/p>\n<p>The common conception in these proverbs is the transiency idealism which based on the Buddhist\u2019s idea in Asia \u201cThe met persons have the fate of the separating each other, as this world is structured in transiente\u201d.<\/p>\n<p>These are 4 pains in the Buddhism. \u201cThe birth\u201d, \u201cThe ageing\u201d, \u201cThe disease\u201d and \u201cThe death\u201d. And then, other 4 pains are made on them. \u201cThe pain of the separation from a dearest person\u201d, \u201cThe pain of meeting with a hateful person\u201d, \u201cThe pain to be not able to get anything what one\u2019s wants\u201d and \u201cThe pain that person has been tortureding by forgoing 7 pains\u201d.<br \/>\nThese are called \u201c<span class=\"red\">Shi-ku Ha-kku<\/span>\u201d (=\u201c4 pains and 8 pains\u201d) in Japan.<\/p>\n<p>In particular, the latter 4 pains are the affictions on the human relation.<\/p>\n<p>And therefore, these have the same meanings with the ontology and coexistence philosophy of \u201cThe Existentialism\u201d proposed by\u00a0<span class=\"black\">J.P.Sartre, A.Camus,F.W.Nietzsche<\/span>\u00a0and so on, or the psychology of S.Freud,\u00a0<span class=\"black\">C.G.Jung, K.Horney<\/span>\u00a0and so on.<\/p>\n<p>That\u2019s to say it\u2019s easy to understand for the Westerners, this thema both in the East and in the West, is only represented in the Eastan Buddhism words.<\/p>\n<p>In the \u201c<span class=\"red\">Heian<\/span>\u201d period in Japan, the thoughts, philosophies and Chinese poems had been introduced from China, and so many Japanese cultures were born from them. It\u2019s often used in plain Japanese \u201cWe meet only to part\u201d to this day.<\/p>\n<p>Innocent\u00a0<span class=\"green\">fusennin<\/span>\u00a0wrote one \u201c<span class=\"red\">Kanji<\/span>\u201d (=Chinese character) \u201c<span class=\"red\">Au<\/span>\u201d in \u201c<span class=\"red\">Sousho<\/span>\u201d style (=Japanese cursive-style script) daringly and freely. It\u2019s reflected his pure heart in his calligraphy, as his \u201c<span class=\"red\">Au<\/span>\u201d is heading straight fearlessly and sincerely toward someone whom he met on the paper.<\/p>\n<p>However,\u00a0<span class=\"green\">Ahomaru<\/span>\u00a0compared it to a boat which one person is rowing, and found one \u201c<span class=\"red\">Kanji<\/span>\u201d (=Chinese character) \u201c<span class=\"red\">Wakare<\/span>\u201d which means \u201cparting\u201d, in the wake of the boat named \u201c<span class=\"red\">Au<\/span>\u201d. Because, the waving water of the river is just the symbole of the continuous flow \u201cthe Time and Space\u201d.<\/p>\n<p>Although,\u00a0<span class=\"green\">fusennin<\/span>\u00a0didn\u2019t understand it himselfe, \u201cparting\u201d is an irony of \u201cmeeting\u201d. \u201c<span class=\"red\">Wakare<\/span>\u201d (=Chinese character \u201cparting\u201d) is following the boat named \u201c<span class=\"red\">Au<\/span>\u201d (=Chinese character \u201cmeeting\u201d) just like a weird shadow.<\/p>\n<p><span class=\"green\">Ahomaru<\/span>\u00a0painted \u201c<span class=\"red\">Wakare<\/span>\u201d in the calligraphy \u201c<span class=\"red\">Au<\/span>\u201d written by\u00a0<span class=\"green\">fusennin<\/span>, and turnd clockwise it to be made the logic with different tecnique from S.Dali.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &lt; Au &gt; = To Meet &#8212;&#8211;Calligraphy by Fusennin, Picture, Music, and Composition by Ahomaru&#8212;&#8211; At first, the sutra on Buddha\u2019s deathbed \u201cYuigyo-kyo\u201d says \u201cThe world is all transience. To meet has separating essentially\u201d. After that, there is \u201cThe pain which leave from the dearest person, is the Fate of this world\u201d in the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":27,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-55","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/pages\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":3,"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/pages\/55\/revisions"}],"predecessor-version":[{"id":448,"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/pages\/55\/revisions\/448"}],"up":[{"embeddable":true,"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/pages\/27"}],"wp:attachment":[{"href":"https:\/\/www.muse-house.jp\/en\/wp-json\/wp\/v2\/media?parent=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}